The production of “Generation Pickleball” was a whirlwind experience in a week of filmmaking, packed with challenges, creativity, and a deep sense of accomplishment. We had just a week’s rental budget to make the most of our Canon 5D Mark III, which performed admirably in low-light conditions. Our sound kit, comprising lavaliers and a boom mic, along with a simple reflector for lighting, was our arsenal in bringing this story to life.
The script structure was inspired by the improv format known as “The Harold,” which follows a sequence of beat-group-beat-group-beat. This unique structure necessitated organizing our shooting days into specific slots: one day for each of the two group scenes and one day for each pickleball partner’s three beats. This meticulous planning was crucial in maximizing our limited time and resources.
Each day began with a routine: Kali, Ruskin, and I would meet at 9 AM to set up equipment and greet the actors. My primary focus was on choosing the right lens and ensuring we met the script’s requirements at each location. Despite thorough location scouting, we found ourselves longing for a prop master and a script supervisor to ease the load. Kali monitored the external sound, while I often found myself on the opposite side of the scene with the camera, making it difficult to catch every line or direct the actors as much as I would have liked.
For the actors, the experience seemed richer and less bogged down by technicalities. They brought their characters to life with spontaneity and energy, making each scene a vibrant piece of the puzzle. At the end of each day, I would meticulously upload all the files to the computer for safekeeping and reset the equipment for the next day’s shoot.
One of the most poignant moments came when Patrick, our co-writer and one of the actors, asked, “Have you thought about your next film?” At that moment, I realized that while I was deeply invested in this project and a week of filmmaking, my career and personal responsibilities needed attention. I envisioned Skyward Community Films as a nonprofit that trains and sponsors local talent in St. Augustine, but our team mainly consisted of people from surrounding cities like Gainesville, Jacksonville, and Orlando.
As we wrapped up the production, I reflected on the journey of this week of filmmaking. Despite the obstacles, the lack of certain resources, and the intense schedule, the experience was immensely fulfilling. The collaboration, creativity, and passion from everyone involved made “Generation Pickleball” a project I am incredibly proud of. Whether St. Augustine fully embraces a nonprofit like Skyward Community Films remains to be seen, but this journey has undoubtedly laid a solid foundation for future endeavors.
